Events for 02/12/2019 - 06/12/2019

The objective of this encounter is to be a reference for women producers in each market and festival; a space to meet, share projects, experiences, create bonds with the different sectors, players, distribution and market in general, getting to know the situation of every country and promoting co-production.

Primer evento internacional de presentacion del programa oficial de Torino Città del Cinema 2020. Turín se convierte en la ciudad de cine: por el vigésimo aniversario de la inauguración del Museo Nacional de Cine en la Mole Antonelliana y el nacimiento de la Comisión de Cine de Turín Piamonte, 2020 será el año de Torino Città del cinema, un programa especial de eventos y projectos para celebrar el séptimo arte en la ciudad.

The forum is a space for development and circulation of audiovisual contents promoting equity among both regional industries. Thanks to its existence, Latin American and Arab filmmakers find strategic financing and partners to carry out their projects in co-production with countries from both regions.

In the last few years, the Argentine provinces of Misiones, Córdoba and Entre Ríos are developing public policies for the sector and autonomous funds for audiovisual production. Referents from the provinces will explain the open alternatives.

Organized by INCAA and the British Film Institute, this breakfast will feature the participation of the UK delegation, and Latin American and Argentine producers of projects with potential to be co-produced with the United Kingdom.

It was created in the context of the 2019 Bolivia Lab, and it will be consolidated in this meeting with the objective of promoting the film industry and contents in Latin America; mainly strengthening circulation, distribution and promotion.

This event, organized jointly by ICAA, CinemaChile and INCAA will collaboration of AGADIC, Catalan Films and Basque Audiovisual, has the objective of fostering an encounter between the three countries to generate projects or bilateral co-productions among the participants.

Audience generation gains great relevance both in film and other industries. What can we take from the Trap phenomenon? Or from Disney’s global brand and 360 strategy? How can we create potentially global content, keeping attention and motivation?

Films adapted into plays and shows presented in cinemas and online platforms. On the basis of three successful theater cases, what are the challenges of these adaptations? What are the risks for each of the different formats? What is the process to evaluate a potential adaptation?

A fundamental space to have a conversation with producers about the challenges that the preservation of audiovisual production entails in the digital era. Institutional experiences, both national and regional, will be reviewed, together with the new advances on the subject.

Latin American referents around the world talk to us about their experience crossing borders both in cinema and television. What are the opportunities for co-production and other collaborative models for Latin America facing the world? How to maximize the tools offered by the globalized industry?

Generation of contents for young audiences. The conference will review topics such as digital talent, audience generation, formats for streaming channels and content adaptation from YouTube to cinema and from cinema to YouTube.

Love For Content is a platform created by CAPPA and 15 Argentine production companies, looking to reconnect industry players through audiovisual projects in development stage. This is a unique initiative in the region, offering digital tools to facilitate the approach for producers, content creators, screens and professionals from the sector.

Organized by INCAA with collaboration of CAACI (Conference of Ibero-American Cinematographic Authorities) and RECAM (Specialized Meeting of Film and Audiovisual Authorities of MERCOSUR), the 7th Ibero-American Co-production Event brings together producers from CAACI and RECAM member countries, incorporating Italy as guest country in CAACI this year.

Presentation of 16 feature film projects in development looking for co-productions with Latin America and international distribution.

Although Film Commissions have consolidated around the world, their role is still a mystery for many. What do Film Commissions do, and what is their reach? How do these organisms help boost revenue, create jobs and increase tourism.

Authorities from the Conference of Ibero-American Cinematographic Authorities and from the Ibermedia program will lay out the normative changes framing co-production in Ibero America, together with representatives from the Ibero-American Federation of Cinematographic and Audiovisual Producers.

Proyecta will be followed by an informal cocktail where the representatives of the selected projects will have the occasion to meet with the professionals who have attended their pitchings.

The world of contents is at peak expansion, and so is the way of generating business models. Professionals from different areas will share with us their knowledge on the most innovative methods of financing and business structure generation, applied to both well-known and disruptive formats.

Even though Ibero-American productions have found their place in the European market, what are the challenges and opportunities in this global industry growing and transforming at an ever-increasing pace? What is the situation of exhibition and distribution of Latin cinema today?

Representatives from different organisms in the Italian film scene, with participation of ITA (Italian Trade Agency, which will present public policies for the internationalization of the Italy System) will provide information about co-production possibilities, facilities and financial support to produce in Italy.

With support of ICE, ANICA, DG Cinema e Audiovisivo MIBACT, APA, CNA Cinema e Audiovisivo Nazionale, CNA Cinema e Audiovisivo Piemonte, this event organized by INCAA is for Argentine and Italian producers with projects that could turn into audiovisual co-productions between both countries. As members of Ibermedia and Eurimages, bilateral co-productions have access to both funds.

Exceptional artists pushing visual, conceptual and narrative boundaries discuss the disruptive innovation and how to cease the new market and audiences they create. What is the industry for this new formats? Who are the buyers? In which format are they selling?

In a globalized scenario without geographic boundaries, in continuous technological expansion, in which cinema increasingly reaches our home and more demanding audiences: What efforts and challenges must festivals address in order to stand out?

How are new immersive technologies developed in different regions of Argentina. Advantages and disadvantages. Is it possible to develop them far away from big urban centers?

Creative and timeless independent distributors diversify their business models and generate alliances with theaters, platforms, editorials and film producers. How do these 360° models work? What possibilities do they have in Latin America?

 INDUSTRY 

Content creation faces paradigm change. So too the media.
As the industry craves guidance on market trends, best practices, new content and talent in a glocal industry, editors at business of entertainment titles analyze their evolving roles, and new opportunities and challenges for coverage.

Presentation of the revolutionary VOD platform model which operates on blockchain technology, and its original series, the cult animation Alejo y Valentina and the Cine en la Vida Real format.